I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada’s.’ Hans Arp

Lepota L. Cosmo
Some Similar Quotes
  1. Mine was the twilight and the morning. Mine was a world of rooftops and love songs. - Roman Payne

  2. For in Paris, whenever God puts a pretty woman there (the streets), the Devil, in reply, immediately puts a fool to keep her. - Jules Barbey DAurevilly

  3. ... you’ll have to fall in love at least once in your life, or Paris has failed to rub off on you. - E.a. Bucchianeri

  4. The great correspondent of the seventeenth century Madame de Sevigne counseled, "Take chocolate in order that even the most tireome company seem acceptable to you, " which is also sound advice today! - Barrie Kerper

  5. When Hitler marched across the RhineTo take the land of France, La dame de fer decided, ‘ Let’s make the tyrant dance.’ Let him take the land and city, The hills and every flower, One thing he will never have, The elegant Eiffel Tower.The French... - E.a. Bucchianeri

More Quotes By Lepota L. Cosmo
  1. Tensurrealism creates actual and non-compromised reality, jamboree, fervor, fascination, poetics of an active enthusiasm, interludium, lyrical practice, active happiness.

  2. Facts produce structures, objects are lyrical realities.

  3. We sing lyrical excess, exacerbated expressionism, imponed objectivity, inventiveness, meta-baroque, extravaganza, super metaphor, sublimity, strident, exposure, super-pone, noise, super-objectivity, zillionism, fragmentation and aesthetics of facts, suractivism.

  4. Sabism is deabstraction, metacolorism, thematism, exotic, convalescent substrate, soft act, collectivism, pluralization, sensationalism, pluralart, thematic colourism, reabstraction.

  5. Sabism is thematic pallet, philosophical colourism, chromatic signature and dual art, bi-chromatic scale, soft scale, poetics of attractiveness, mythologism, actual value, logism of color, active color, logical panel.

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